All posts by msmith

Martina McBride Speaks Out Against Deepfakes At Senate Hearing

Jason Kempin/Getty Images

Artists like Cardi B, Randy Travis, Mary J. Blige, and the Dave Matthews Band have expressed support for the NO FAKES Act, a bill offering federal protection against unauthorized deepfakes of one’s name, image, likeness, or voice. Today, Martina McBride advocated for it before the Senate Judiciary Subcommittee on Privacy, Technology, and the Law at a hearing.

Smut – “Touch & Go”

Jon Salazar

The new Smut song “Touch & Go” is rooted in indie rock history, but not like you’re thinking. Based on the title, you might think the latest Tomorrow Comes Crashing single takes influence from Touch & Go Records, a massively important label which — just like Smut — relocated to Chicago from elsewhere in the Midwest. But it’s actually inspired by “Time To Pretend,” the iconic opening track from MGMT’s debut album Oracular Spectacular. (MGMT will be the first to tell you they only recently became an indie band, but what does indie really mean anyway?)

Stereolab – “Transmuted Matter”

Joe Dilworth

Hey, one more new Stereolab song! The chic avant-pop legends have been whetting our appetites for Instant Holograms On Metal Film, their first new album in 15 years, with exceptional singles including “Aerial Troubles” and “Melodie Is A Wound.” You will not be surprised to learn that “Transmuted Matter,” the third and final advance track, also hits the spot. It’s got that often-imitated, never-matched “retro francophone lounge jazz of the future” aesthetic that Stereolab have been nailing for decades. You already know you love this song, but you’d better listen down below just to make sure.

For Those I Love – “Of The Sorrows”

Rich Gilligan

David Balfe, the Dublin multi-hyphenate who makes music under the name For Those I Love, has a new single out today. “Of The Sorrows” is the first For Those I Love track since the project’s 2021 self-titled debut, which won the RTÉ Choice Music Prize as the best Irish album of the year. Over top of an electronic slow-build that sounds like a city after dark, Balfe delivers spoken-word lyrics centered on the refrain, “Stay here in Ireland.” It sounds a little like the Streets and a little like Real Lies.