All posts by msmith

Manslaughter 777 Announce New Album God’s World: Hear “I Do Not Believe In Art”

In 2021, two underground extreme-music drum specialists got together to form a duo with the hard-ass name Manslaughter 777. Lee Buford, from the Body and Sightless Pit, and Zac Jones, from MSC and Braveyoung, joined forces to make unpredictable beat music that draws on rave and hip-hop influences. They released a debut album called World Vision Perfect Harmony. Since then Jones has become the drummer for Nothing, but that hasn’t gotten in the way of another Manslaughter 777 record. Their sophomore LP arrives this summer.

Napalm Death & Thurston Moore – “Now I Wanna Sniff Some Glue” (The Ramones Cover)

The metal-leaning label Magnetic Eye has a long-running series called Redux, in which tons of different underground artists pay homage to titans of the form. Yesterday, Magnetic Eye release two Ramones tribute albums, both of which were curated by the Italian-Swiss audio engineer Marc Urselli. One of the compilations is entirely dedicated to the Ramones’ classic 1976 self-titled debut, and the other includes a bunch of tracks from across the band’s career. The two albums contain tons of surprising one-off collaborations, and the most surprising of them might be the team of grindcore pioneers Napalm Death and Sonic Youth pioneer Thurston Moore.

Belinda Carlisle Announces First English-Language Album In Nearly 30 Years, Once Upon A Time In California

Belinda Carlisle, the one-time punk who went from singing in the Go-Go’s to solo stardom in the 1980s, has spent the last few decades releasing music in languages besides her native English, such as French on 2007’s Voila and Sikh chants performed in Punjabi on 2017’s Wilder Shores. The Alvvays inspiration returned to English in short-form fashion on 2023’s Kismet EP, a collaboration with veteran songwriter Diane Warren. Now she’s got her first English-language full-length album since 1996’s A Woman & A Man on deck.

Shut Up, Dude: This Week’s Best Comments

OpenWeb messed with their API without telling us again so sadly, I cannot pull your best comments this week. Let’s still have a comment party though? You might have seen that Stereogum is at Primavera Sound Barcelona, which is headlined by last year’s three main pop girlies Sabrina, Chappell, and Charli. Tom missed his original flight then cut his foot on the Airbnb bed and bled on all the towels, but otherwise we are doing excelente. Wish us luck for Turnstile’s 3 a.m. set.

Get Behind Me Satan Turns 20

The prop guys have finished adding giant, chunky lifts to the black dress shoes that I bought for my grandfather’s funeral. A crowd gathers around me as I try them on, and people literally gasp when I stand up. With these lifts on my shoes, I am something like eight feet tall. A crowd of upturned faces hovers around my waist level. I feel like Dorothy in Munchkinland, except I am terrified. I’m supposed to walk in these things? The assistant director tells me to get used to them, to walk around, so that’s what I do. I clomp all over that set, and I feel like an absolute freak, which is the entire idea. I’m here because I’m a freak. A freak is what the White Stripes need.

Mariah Carey – “Type Dangerous”

Just last week Mariah Carey unveiled the 20th anniversary edition of The Emancipation Of Mimi, which had remixes featuring rappers like Jay-Z, Jeezy, Cam’ron, Juelz Santana, and more. Now, the pop veteran is back with “Type Dangerous,” her first new song in years. Produced by Carey alongside N.W.I. and Daniel Moor, it features a prominent sample from Eric B. & Rakim’s classic 1986 debut single “Eric B. Is President.”